“My husband Alan and I have been married for 40 years; he’s my partner in collecting things, and appreciating the beauty of things. Fortunately, his work as an actor on LA Law gave us the opportunity to be able to do that.
We actually have a painting that was done by Kathryn Jacobi, Dick Dysart’s wife, who was Alan’s co-star. We also have two paintings that were done by Erica Jong’s grandfather—Erica’s family and my family were close friends. We grew up together. Her mother gave the paintings to my mother, I think. They’re very beautiful; they’re very ethereal.
It’s very hard to get rid of things that you love, but we were downsizing slightly, and more than anything, we had so much! It was blocking the energy of anything new coming into our lives. And it was a great opportunity to share the love we had given all of these things.
My stepfather was a press agent who had very high profile clients, like the United States of America; he represented countries. He had an incredible eye, so he had this phenomenal collection, including the swan cradle. It has a whole history of royalty. I put flowers in it — real, dried, silk; it was always a conversation piece.
And then the snake part of it—that was pretty extraordinary. The snake is a symbol of the kundalini, which is the spiritual energy in every person that lies dormant at the base of the spine, coiled up. I’ve always been involved with spiritual life and spiritual practices—I’ve been to India, I teach meditation—and so to have that on this European antique was particularly amazing to me.”
“I’ve collected things that make you feel good. Beauty is a quality of the heart, so anything that puts you in touch with the heart is something of great value, and can connect you with your higher self. That’s the focus of having beautiful things, as far as I’m concerned.”