Walter Sorge Non-Objective Oil Painting, Late 20th Century
Dr. Walter Felix Sorge (Canada/United States, 1931 – 2021)
Untitled (non-objective composition), late 20th century
Oil painting on paper
Signed to the upper right
From the artist’s estate.
Canadian-born artist Walter Sorge was a Modernist whose work exhibits many facets, periods, and styles, however he was foremost a formalist creating both gestural abstractions and geometric Color Field compositions. He worked in a variety of mediums, but was also a very accomplished printmaker in the mid to late 20th century. Sorge received both his B.A. and M.A. at UCLA, and went on to receive his Ed.D. degrees in Fine Arts and Art Education from Columbia University. He worked in the famed Atelier 17 in Paris as an apprentice to the celebrated Surrealist painter and printmaker Stanley William Hayter who had a strong influence on his printmaking. After working in Paris, he returned to the United States to create and teach art.
In 1985 Sorge took a year sabbatical in Taiwan, Hong Kong, and mainland China, where he produced over 100 watercolors influenced by the Chinese tradition, many of which bear a red seal of his name in Chinese characters. In 1994, he took another sabbatical in Israel, during which he produced a series of works featuring Israeli locals, landscapes, and cityscapes. In short, his work has been significantly influenced by his life-long travels.
As an instructor, he served as head of the Art Departments at Kentucky Southern College in Louisville and at Hardin-Simmons University in Abilene, Texas, and chairman of the Art Department at Eastern Illinois University. Throughout his career, Sorge had many solo exhibitions and participated in group exhibitions both nationally and internationally in New York, Ottawa, France, New Mexico, Kentucky, California, England, Israel, and Turkey among other places. Some institutions that have exhibited and collected his work include the Metropolitan Center in New York, the Victoria and Albert Museum, the Vancouver Art Gallery, and the National Fine Arts in Bermuda.
- textured tear along the edges appears intentional to the art-making process; some stain to the surface; paint chipping and scratches throughout the composition.